India Fixer | Provides Film Production Services to overseas clients

Filming in a foreign country can be a daunting task for filmmakers, especially when it comes to navigating the complexities of a diverse and culturally rich nation like India. This is where India Fixer step in, offering invaluable assistance to filmmakers seeking to capture the essence of India on camera. In this article, we explore the significance of India Fixers, highlighting the distinctions between them and traditional tourist guides or location coordinators. We’ll also delve into the attributes that make Filming Indo, represented by Rahul, stand out as a premier India Fixer in the industry.

Role of India Fixer:

India Fixers play a crucial role in the film production process, serving as a bridge between filmmakers and the multifaceted Indian landscape. Unlike traditional tourist guides, India Fixers are seasoned professionals with an in-depth understanding of the local culture, customs, and logistical intricacies involved in filming. They go beyond providing information about historical sites and tourist attractions, offering comprehensive support in terms of production logistics, cultural nuances, and access to exclusive filming locations.

Лучшая погода для планирования видеосъемок в Индии india fixer

Distinguishing Features of India Fixers:

Local Expertise:

India Fixers, such as Filming Indo, possess extensive local knowledge that goes beyond the typical tourist experience. They understand the nuances of different regions, languages, and cultures within India, ensuring a more authentic representation in film projects.

 

Logistical Support:

Filming in India comes with its set of challenges, from obtaining permits to navigating bureaucratic processes. India Fixers act as efficient coordinators, handling logistics such as transportation, accommodation, permits, and equipment rentals, allowing filmmakers to focus on their creative process.

 

Cultural Sensitivity:

A crucial aspect that sets India Fixers apart is their cultural sensitivity. They guide filmmakers on the appropriate way to approach and film in different settings, ensuring respect for local traditions and customs. This cultural insight is essential for capturing authentic stories without causing unintentional offense.

 

Industry Connections:

Established India Fixers, like Filming Indo, often have extensive networks within the local film industry. This enables them to secure permits faster, gain access to exclusive locations, and collaborate with local talents, enhancing the overall production value.

Производство видеофильмов в Индии India fixer

Filming Indo: A Premier India Fixer:

Represented by Rahul, Filming Indo stands out as a premier India Fixer with a wealth of professional experience. Rahul’s background in news and broadcasting, along with collaboration with renowned organizations like BBC, TV Asahi, France tv, ABC Australia, and Will Media, showcases his versatility as a fixer, producer, researcher, and location coordinator.

 

Filming Indo’s website, available at www.filmingindo.com and www.fixerindelhi.com, serves as a testament to their commitment to transparency and professionalism. The website provides detailed information about their services, previous projects, and testimonials from satisfied clients.

 

Pls get in touch, if you are planning to film your next project.

Email: info@filmingindo.com

Jharkhand’s Haunting Horror: 1,050 Women Branded Witches, Murdered in 23 Years

Nestled in the verdant heart of India, Jharkhand whispers a chilling tale of injustice. For over two decades, a shadow of fear has loomed over its villages, fueled by the flames of superstition and discrimination. This is the story of 1,050 women, ostracized, branded as witches, and brutally murdered in cold blood.

Jharkhand's Haunting Witches 2

The Grim Reality:

Jharkhand, with its predominantly tribal population, is a land steeped in ancient beliefs and rituals. However, these traditions have been twisted into instruments of cruelty. Accusations of witchcraft, often fueled by personal vendettas, land disputes, or simply a desire to marginalize vulnerable women, have become a death sentence.

 

Victims of Misogyny and Misinformation:

Jharkhand's Haunting WitchesThe victims of this barbaric practice are often ostracized, ostracized from their communities, and subjected to unimaginable torture. Poverty, illiteracy, and a lack of access to legal aid leave them defenseless against the mob mentality that fuels these atrocities.

 

A Call for Action:

Jharkhand's Haunting Witches 4This is not just a regional issue; it’s a stark reminder of the deep-rooted misogyny and social injustice that continues to plague India. The story of Jharkhand’s witch hunts demands international attention. It’s a story that needs to be told, documented, and heard around the world.

 

A Spotlight for International Media:

This is where international news agencies and documentary filmmakers come in. Jharkhand’s harrowing narrative offers a powerful lens through which to explore themes of social justice, human rights, and the fight against superstitious violence.

Fixer & Line producer Jharkhand

FILMING INDO: Your Partner in Uncovering the Truth:

FILMING INDO, a leading production company in India, stands ready to support any media endeavor aimed at shedding light on this critical issue. We offer comprehensive production services, from logistics and permits to local crew and cultural expertise, ensuring a smooth and impactful storytelling experience.

 

Together, we can:

   Raise awareness: By bringing this story to the global stage, we can pressure authorities to take decisive action and implement effective measures to protect vulnerable communities.

Spark dialogue: Through powerful storytelling, we can challenge harmful stereotypes and ignite a much-needed conversation about gender equality and superstition-driven violence.

    Empower communities: By giving voice to the victims and their families, we can empower communities to fight back against injustice and reclaim their dignity.

 

Jharkhand’s witch hunts are a stain on India’s conscience. But amidst the darkness, a glimmer of hope remains. By shining a light on this issue, we can work towards a future where no woman is condemned by superstition, and every life is valued and protected.

 

Join us in taking a stand against injustice. Let’s make Jharkhand’s haunting horror a catalyst for change.

 

#StopWitchHunts #Jharkhand #India #HumanRights #SocialJustice #Documentary #FILMINGINDO

The Statues of Lenin, Tolstoy, and Pushkin in New Delhi: A Bridge Between India & Russia

In the heart of bustling New Delhi, amidst the cacophony of traffic and the vibrant tapestry of Indian life, stood an unexpected trio of statues – Lenin, Tolstoy, and Pushkin, three titans of Russian history, their stoic gazes fixed on the passing throngs of humanity.

Lenin statue in Delhi India

 

Lenin, the revolutionary firebrand, stood tall and resolute, his piercing eyes reflecting the unwavering spirit of a man who dared to challenge the status quo. His statue, a testament to his enduring legacy, served as a reminder of the transformative power of ideas.

Leo Tolstoy statue in Delhi India

 

 

 

 

Tolstoy, the literary giant, exuded a quiet wisdom, his contemplative pose hinting at the depths of his understanding of the human condition. His statue, a tribute to his literary genius, stood as a beacon of intellectual enlightenment amidst the material pursuits of the city.

Alexander Pushkin statue in Delhi India

 

 

 

 

 

 

 

 

Pushkin, the poet laureate of Russia, bore a gentle demeanor, his eyes reflecting the profound beauty and melancholy of the Russian soul. His statue, a homage to his poetic prowess, served as a muse for the city’s aspiring poets and writers.

 

These three Russian icons, transplanted to the heart of India, represented a bond between two nations that transcended geographical boundaries. Their presence in Delhi symbolized a shared history, a mutual respect, and a deep-rooted connection that defied the tides of time.

 

The statue of Lenin, in particular, intrigued many Indians. They saw in him a revolutionary spirit that resonated with their own struggle for independence. His unwavering commitment to social justice and equality struck a chord with the common man.

 

Tolstoy’s statue, on the other hand, attracted the literati of Delhi. They marveled at his mastery of the written word, his ability to capture the essence of human emotions and the complexities of human relationships. His statue inspired them to delve deeper into the world of literature.

 

Pushkin’s statue, with its aura of romanticism, appealed to the city’s artists and dreamers. They found solace in his poetic verses, his ability to capture the beauty of nature and the fleeting moments of human connection. His statue served as a reminder of the power of art to transcend boundaries and connect hearts.

 

The presence of these Russian idols in Delhi was not merely a historical anomaly; it was a testament to the enduring legacy of cultural exchange and the power of shared values. They stood as symbols of a friendship that had weathered the storms of time, a friendship rooted in mutual respect and a shared appreciation for the arts, literature, and the pursuit of a just and equitable society.

 

As the sun set over Delhi, casting long shadows across the city, the statues of Lenin, Tolstoy, and Pushkin remained steadfast, their presence a beacon of hope and inspiration for generations to come. They stood as silent guardians of a friendship that spanned continents, a friendship that defied the odds and continued to blossom amidst the ever-changing landscape of global relations.

видеосъемки Производство видеофильмов в Индии

For Russian filmmakers seeking to capture the essence of India on film, FILMING INDO stands as a trusted partner, offering a comprehensive suite of production services. With a team of experienced fixers, field producers, and line producers, FILMING INDO seamlessly navigates the complexities of filming in India, ensuring a smooth and successful production process.

 

From location scouting and permit acquisition to equipment rental and crew management, FILMING INDO handles every aspect of the production, ensuring that filmmakers can focus on their creative vision. Whether it’s navigating the bustling streets of Delhi or capturing the serene beauty of the Himalayas, FILMING INDO possesses the expertise and local knowledge to bring Russian filmmakers’ stories to life.

 

With a deep understanding of Indian culture and customs, FILMING INDO bridges the gap between Russian filmmakers and the Indian film industry, fostering collaborations that enrich both cinematic traditions. As Russian filmmakers embark on their journey to capture the magic of India on screen, FILMING INDO stands ready to guide them, ensuring that their stories find a receptive audience in India and beyond.

 

Email us your Filming Request at info@filmingindo.com

The Pitfalls of India’s Sugar-Based Biofuel Strategy: More Problems Than Solutions

In recent years, India has been actively exploring alternative energy sources to reduce its reliance on fossil fuels and mitigate environmental challenges. One of the strategies gaining traction is the use of sugar as a feedstock for biofuel production. While it may seem like a promising solution at first glance, closer examination reveals that India’s push to use sugar for fuel may create more problems than it solves.

 

One of the primary reasons behind India’s interest in sugar-based biofuels is its abundance of sugarcane, a crop widely cultivated in the country. The idea is to convert sugarcane into ethanol, a biofuel that can be blended with gasoline or used as a standalone fuel. Proponents argue that this approach can simultaneously address India’s energy needs and support the struggling sugarcane industry.

India's Sugar-Based Biofuel Strategy 3

However, the reality is far more complex. To produce significant quantities of ethanol, a large amount of sugarcane must be cultivated, harvested, and processed. This could lead to adverse consequences for the environment, agriculture, and food security. Here are a few key concerns:

 

 

Environmental Impact: Expanding sugarcane cultivation to meet the demand for biofuel production can result in deforestation, loss of biodiversity, and increased water usage. The conversion of forests or other ecosystems into sugarcane fields contributes to habitat destruction and reduces carbon sequestration capacity. Additionally, the water-intensive nature of sugarcane cultivation can strain water resources, exacerbating water scarcity issues in certain regions.

 

Agricultural Challenges: Focusing on sugarcane for biofuel production might divert land and resources away from other essential food crops. India is already grappling with food security concerns, and prioritizing biofuel production over food production could exacerbate the situation. Farmers might be incentivized to switch from growing essential food crops to sugarcane, affecting the availability and affordability of staple foods for the population.

India's Sugar-Based Biofuel Strategy 1

Economic Viability: While using sugar for biofuel production might offer short-term benefits for the struggling sugarcane industry, relying heavily on this approach could lead to long-term instability. The global biofuels market is unpredictable, with fluctuating prices and demand. Dependence on sugar-based biofuels might expose India to market volatility, potentially affecting the livelihoods of farmers and the overall economy.

 

Technological Challenges: Scaling up ethanol production from sugarcane requires substantial investment in infrastructure and refining facilities. It also demands technological advancements to optimize the conversion process and ensure efficient utilization of resources. Rapidly transitioning to a large-scale sugar-based biofuel industry may pose logistical and technical challenges that need to be carefully addressed.

ethenal factory

Sustainability Considerations: While biofuels have the potential to reduce carbon emissions compared to fossil fuels, their overall sustainability depends on various factors. The entire lifecycle of biofuel production, including land use change, transportation, and processing, needs to be considered. A comprehensive assessment of the carbon footprint and other environmental impacts associated with sugarcane-based biofuels is crucial to determine their actual sustainability benefits.

 

Instead of focusing solely on sugar-based biofuels, India should adopt a more comprehensive and balanced approach to energy transition. This includes diversifying its renewable energy portfolio by exploring other sources such as solar, wind, and hydroelectric power. Investing in research and development for advanced biofuels made from non-food sources could also offer a more sustainable path forward.

 

Furthermore, the Indian government should prioritize policies that encourage energy efficiency, promote public transportation, and support the adoption of electric vehicles. These strategies can have a more immediate and significant impact on reducing greenhouse gas emissions and improving air quality.

 

India’s push to use sugar for fuel, although well-intentioned, needs to be critically evaluated in light of its potential consequences. While sugar-based biofuels may offer some benefits, they should not be viewed as a one-size-fits-all solution to India’s energy and environmental challenges. A holistic approach that considers social, economic, and environmental factors is essential to chart a sustainable and resilient energy future for the country.

 

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FILM IN INDIA

Media Production Fixer Support in India| Filming Indo

If you are in search of JournalistresearcherIndian coordinatorfixerdocumentary film maker or Line Producer to cover any specific stories in India, your search ends here. We at Filming Indo delivers all types of services to our International clients as mentioned above. We promise you to arrange everything on your behalf from interview scheduling, Public Relations to Locations management and logistics. You can leave everything on us. You have to just come to India and shoot your project. Even, if you can not come to India, we can shoot and deliver raw audio-visual footage recorded on best HD cameras to you in timely manner.

 

You can email us today on info@filmingindo.com

 

Unveiling the Dark Side of Fashion: Exploring SKY ITALIA’s Documentary ‘JUNK – Armadi Pieni’ by Filming Indo

The world of fashion is synonymous with style, glamour, and creativity. However, there is a hidden cost behind the glitz and glamour – the social and environmental impact of the industry. Recently, Filming Indo had the privilege of working as a fixer for SKY ITALIA’s investigative documentary titled ‘JUNK – Armadi Pieni.’ This powerful docuseries delves deep into the dark underbelly of the fashion industry, exploring its detrimental effects on India’s textile waste, cotton farming, and environmental pollution. This article provides an insight into Filming Indo’s work in researching, fixing locations, obtaining permissions, arranging interviews, and managing logistics and accommodations in Delhi, Panipat, Punjab, and Tamil Nadu.

 

WATCH THE FULL VIDEOhttps://video.sky.it/news/mondo/video/junk-armadi-pieni-india-835133?fbclid=IwAR2nhrP_Vwm9AFnJVXsi1KbAC3IPalcLd3PPh-LpiEPVadF2iqDdbx6delo

Researching the Fashion Industry’s Impact:

Junk - Armadi Pieni: India

Before embarking on the documentary production, Filming Indo collaborated closely with the SKY ITALIA team to research and understand the social and environmental consequences of the fashion industry. The documentary shed light on the alarming textile waste generated by the industry and its adverse effects on the environment. Additionally, it focused on the plight of cotton farmers in Northern India, who faced challenges such as Ballworm and Pink Bollworm infestations, issues with genetically modified BT Cotton, heavy pesticide usage, and its impact on their livelihoods.

 

Fixing Locations and Obtaining Permissions:

Junk - Armadi Pieni: India

Filming Indo played a crucial role in identifying and securing appropriate locations for the documentary shoot. The team meticulously scouted textile landfills, cotton farms, and regions affected by the fashion industry’s pollution. Simultaneously, they navigated the bureaucratic processes to obtain the necessary permissions and clearances, ensuring a smooth and legally compliant production.

Arranging Interviews with Key Stakeholders:

Junk - Armadi Pieni: India

To provide a comprehensive perspective on the fashion industry’s impact, Filming Indo arranged interviews with a diverse range of stakeholders. Activist Matteo Ward traveled to India to witness firsthand the textile waste crisis and its consequences. Interviews were conducted with cotton farmers, environmental activists, industry experts, and affected communities, amplifying their voices and shedding light on the human stories behind the issues.

Managing Logistics and Accommodations:

Junk - Armadi Pieni: India

Filming Indo excelled in managing the intricate logistics and accommodations for the entire crew throughout the documentary production. From transportation arrangements to equipment rentals, they ensured a seamless experience for the SKY ITALIA team. Additionally, they organized comfortable accommodations, enabling the crew to focus on their work and immerse themselves in the stories they were documenting.

Challenges and Revelations:

Junk - Armadi Pieni: India

The journey of Filming Indo was not without its challenges. They confronted the harsh realities faced by cotton farmers, witnessed the devastating consequences of the fashion industry’s pollution, and navigated the complex web of stakeholders involved. Through their work, Filming Indo revealed the systemic issues plaguing the fashion industry and brought attention to the urgent need for sustainable and ethical practices.

 

Conclusion:

Junk - Armadi Pieni: India

Filming Indo’s collaboration with SKY ITALIA on the investigative documentary ‘JUNK – Armadi Pieni’ has shed light on the social and environmental impact of the fashion industry in India. By working tirelessly as fixers, they have contributed to uncovering the dark side of fast fashion, including textile waste, the struggles of cotton farmers, and environmental pollution. This thought-provoking docuseries serves as a wake-up call, urging the industry and consumers to prioritize sustainable and ethical practices for a more responsible fashion future.

 

Through their dedication and behind-the-scenes work, Filming Indo has given a voice to those affected by the fashion industry’s detrimental practices. Their collaboration with SKY ITALIA has brought awareness to global audiences, inspiring.

Junk - Armadi Pieni: India

Guide For Foreign Nationals wanting to do Business with India

Steps to Get a New Company Incorporated in India

  1. Each of the first shareholders and directors of the new company needs to get a Permanent Identification Number (PAN) from Income Tax Department of Government of India
  2. Each of the first shareholders and directors of the new company needs to get Director Identification Number (DIN).
  3. At least one of the promoters must have a digital signature. The digital signature is to be purchased from a company in India.
  4. Decide the state in which the registered office of the company will be located. While it is easy for a company to change the registered office within a state, it is cumbersome and expensive to shift from one state to another.
  5. Decide the Authorized Capital of the proposed company.
  6. Decide whether the company will be a private limited company or public limited company.
  7. Decide the main objects of the company.
  8. Select, in order of preference, at least one suitable name up to a maximum of six names, indicative of the main objects of the company.
  9. Ensure that the name does not resemble the name of any other already registered company and also does not violate the provisions of emblems and names (Prevention of Improper Use Act, 1950) by availing the services of checking name availability on the portal.
  10. Apply to the concerned Registrar of Companies (RoC) to ascertain the availability of name in eForm1 A by logging in to the portal. A fee of Rs. 500/- has to be paid alongside and the digital signature of the applicant proposing the company has to be attached in the form. If proposed name is not available, the user has to apply for a fresh name on the same application.
  11. After the name approval the applicant can apply for registration of the new company by filing the required forms (that is Form 1, 18 and 32) within 60 days of name approval.
  12. Arrange for the drafting of the memorandum and articles of association by the solicitors, vetting of the same by RoC and printing of the same.
  13. Arrange for stamping of the memorandum and articles with the appropriate stamp duty.
  14. Get the Memorandum and the Articles signed by at least two subscribers in his/her own hand, his/her father’s name, occupation, address and the number of shares subscribed for and witnessed by at least one person.
  15. Ensure that the Memorandum and Article is dated on a date after the date of stamping.
  16. Login to the portal (www.mca.gov.in) and fill the following forms and attach the mandatory documents listed in the eForms as follows

o Declaration of compliance – Form-1

o Notice of situation of registered office of the company – Form-18.

o Particulars of the Director’s, Manager or Secretary – Form-32.

  • Submit the above-mentioned eForms after attaching the digital signature, pay the requisite filing and registration fees and send the physical copy of Memorandum and Article of Association to the RoC.
  • After processing of the Form is complete and Corporate Identity is generated, obtain Certificate of Incorporation from RoC.

 

A Practicing Company Secretary is the best person to get the above steps completed. The charges may vary from city to city and also based on the reputation of the Practicing Company Secretary. It is advisable to tell the Company Secretary the proposed authorized share capital, the state in which the company is proposed to be incorporated, number of first shareholders / directors and whether the proposed company will be a private limited or public limited. Based on this information, the Company Secretary will be in a position to give an offer for the total costs including fees payable to the Government, stamp duty, other expenses and his / her fees. Many Chartered Accountants also offer services in relation to incorporating a company. However, strictly speaking, this is the job of a company secretary and not of a chartered accountant.

 

PAN for Foreign Citizen Resident Outside India

Getting Permanent Identification Number (PAN) from Income Tax Department of Government of India is necessary before one invests in a company in India or becomes a Director in an Indian company. Getting a PAN is a simple process that any foreign citizen resident outside India can do without the need for professional help. One essentially needs two documents – one for proof of identity and one for proof of address.

 

The documents required are as follows:

Proof of Identity Document

  • Copy of Passport or
  • Other National ID attested by Indian Embassy / Consulate / High Commission / Apostille or
  • Person of Indian Origin (PIO) card issued by Government of India or
  • Copy of Overseas Citizen of India (OCI) card issued by Government of India

Proof of Address Document

  • Copy of Passport or
  • Other National ID attested* by Indian Embassy / Consulate /High Commission /Apostille or
  • Bank account statement in country of residence, duly attested by Indian Embassy /High Commission / Consulate / Apostille in the country where applicant is located or
  • Person of Indian Origin (PIO) card issued by Government of India or
  • NRE bank account statement
  • Overseas Citizen of India (OCI) card issued by Government of India

 

 

In essence, if you have a copy of your passport, you do not need anything else. The next step is to visit the website https://tin.tin.nsdl.com/pan/form49AA.html and fill the form 49AA online to apply for PAN.

 

Bank Accounts of Foreign Residents in Indian Rupees

There are three types of Rupee denominated accounts that a foreign citizen or entity may open with a bank in India:

A Ordinary Non-Resident Rupee (NRO) Accounts)

B Non-Resident (External) Rupee Accounts (NRE Accounts)

C Non-Resident (Non-repatriable) Rupee Deposit Scheme

 

Ordinary Non-Resident Rupee (NRO) Accounts

NRO account is the simplest form of bank account that any non-resident individual or entity (except from Pakistan or Bangladesh) may open with a bank in India. NRO account does not require approval or permission from Reserve Bank of India or any other authority.

Funds in the NRO account should be used for meeting bona fide expenses and transactions in Indian Rupees. The operations on the accounts do not allow making available foreign exchange to any person resident in India against reimbursement in rupees or in any other manner in India. NRO accounts may be opened / maintained in the form of current, savings, recurring or fixed deposit accounts. The accounts may be held jointly with residents and / or with non-residents.

 

Indian Visa for Directors and Employees

An Indian company can employ foreign citizens in India as well as outside India. No permissions are needed for this. However, the foreign citizen needs an employment visa if he / she intends to reside in India. Types of visa (relevant for business) issued by India are as follows.

 

Business – Up to 5 years – Multiple Documents to prove bonafide purpose (Company’s letter, etc.), proof of financial standing

 

Business Visa

A Business visa may be granted to a foreigner for the following purposes (relevant to this Guide):-

  1. Foreign nationals who wish to visit India to establish industrial/business venture or to explore possibilities to set up industrial/business venture in India.
  2. Foreign nationals coming to India to purchase/sell industrial products or commercial products or consumer durables.
  • Foreign nationals coming to India for technical meetings/discussions, attending Board meetings or general meetings for providing business services support.
  1. Foreign nationals coming to India for recruitment of manpower.
  2. Foreign nationals who are partners in the business and/or functioning as Directors of the company.
  3. Foreign nationals coming to India for consultations regarding exhibitions or for participation in exhibitions, trade fairs, business fairs etc.
  • Foreign buyers who come to transact business with suppliers/ potential suppliers at locations in India, to evaluate or monitor quality, give specifications, place orders, negotiate further supplies etc., relating to goods or services procured from India.
  • Foreign experts/specialists on a visit of short duration in connection with an ongoing project with the objective of monitoring the progress of the work, conducting meetings with Indian customers and/or to provide technical guidance.
  1. Foreign nationals coming to India for pre-sales or post-sales activity not amounting to actual execution of any contract or project.
  2. Foreign trainees of multinational companies/corporate houses coming for in-house training in the regional hubs of the concerned company located in India.
  3. Foreign nationals coming as tour conductors and travel agents and / or conducting business tours of foreigners or business relating to it, etc.

 

Documents required for grant of business visa are as follows:

  1. A valid travel document and a re-entry permit, if required under the law of the country concerned.
  2. Proof of financial standing and expertise in the field of intended business.
  3. Documents/ papers pertaining to proposed business activity such as registration of the company under the Companies Act, proof of registration of the firm with the State Industries Department or the Export Promotion Council concerned or any recognized promotional body in the relevant field of industry or trade etc.

 

 

Local Taxes

Local Taxes are levied by either municipal corporations (in case of cities) or by village panchayats (in case of villages). The freedom of a municipal corporation or village panchayat is limited by the relevant Act passed by State Legislature.

 

Property Tax

Property tax is collected by municipal or village authorities based on the estimated rental value that a property is expected to fetch. Rates of property tax vary greatly from city to city. However, in general, the first step is to estimate the annual rental value. Most cities have elaborate norms for estimation of annual rental value based on the locality, type of construction, usage of property and the floor area of property. Property Tax is a percentage of the estimated annual value and is around 10-20% of the annual rental value. It is customary for the property owner (and not the tenant) to pay the property tax.

 

Water Charges

Strictly speaking, this is not a tax but a charge based on actual consumption. However, in most cities of India water charges are not collected based on water consumption since water metering is not very common. In most cities households are provided a 12 mm pipe connection and a fixed charge per household is levied. This is in the range of about Rs. 100 to Rs. 200 per month. Rates for commercial establishments and industries are much higher and are often based on actual usage.

 

Business Culture

India is a relationships-driven society. Everyone is connected to everyone else with whom one does business. Dealing with strangers is avoided – reasons for this are not too far to seek. With a judicial systems that is slow, expensive and unpredictable, one wants to avoid going to courts. If one is dealing with someone on whom one can exert some pressure, whether it is emotional or from relatives and friends, one is assured of some recourse if matters turn sour.

 

Relationships are built upon mutual trust and respect. In general, Indians prefer to have long-standing personal relationships prior to doing business. It may be a good idea to go through a third party introduction. This gives you immediate credibility. Doing business in India involves spending a lot of time building relationships with all sort of people whether in business or in government or in community or in politics.

 

This is strange for foreigners who come to India from Western Europe or USA. However, this does not surprise anyone who has done business in most of Africa or South America or Asia. It is not unusual for business associates to try to establish relationships that extend to families and friends. This seems strange to western mindset where business and personal life are kept separate. The dividing line in India is either non-existent or very thin.

 

So, if you receive a request from your Indian associate to go to a picnic together with families on the weekend, do not be surprised. Language of contracts in India is often flowery and extremely elaborate. Indian advocates and solicitors sometimes draw up such elaborate and complex contract documents that virtually no one bothers to read through the whole of it. It is not uncommon for parties to a contract to rely on the informal or email or verbal assurances that they have among themselves while the formal contract is seen as no more than a necessary evil that one would rather not touch. Indian entrepreneurs and senior managers often work for more than 10 hours a day and work on weekends too.

 

Calling up business associates on a Sunday or at 8 pm is not considered something extraordinary. India is a hierarchical society. Even in some large cities where due to western influence calling each other by first name has become acceptable, the hierarchical mindset remains deep rooted.

 

As a general rule, calling people by first name is avoidable unless the person is equivalent or lower to you in age and rank. Anyone who is older (or of higher rank) must be addressed respectfully. This is a hierarchical culture, so greet the eldest or most senior person first. The usual form of greeting does not involve shaking hands even though shaking hands is common. Men may shake hands with other men and women may shake hands with other women; however there are seldom handshakes between men and women. Indians consider it rude to say a clear ‘no’. Indians will offer you the response that they think you want to hear.

 

Since they do not like to give negative answers, Indians may give an affirmative answer but be deliberately vague about any specific details. This will require you to look for non-verbal cues, such as a reluctance to commit to an actual time for a meeting or an enthusiastic response. A problem that many foreigners face when dealing with Indian business houses over email etc. is the tendency of Indians to fall silent. Often, when an Indian does not wish to pursue the matter further, the tendency is to fall silent rather than close the matter with a clear ‘no’. Indians enjoy eating together. All food on the table must be shared.

 

The western habit of individual potions being served and each one ordering one’s own food is a strict no-no. A group orders food together. So, before ordering there is quite some discussion to ensure that everyone’s tastes are taken care of and no food is wasted. Often people make compromises only to ensure consensus in the group. For example, if everyone else in the group wants ice cream for dessert, someone who wants coffee is likely to go with the group and have ice cream. If everyone on the table is inclined to have Indian vegetarian food, it will be rude for one individual to order chicken for oneself.

 

Punctuality is the norm as far as business meetings are concerned. However, on social occasions, where large numbers of people are invited, it is customary to be late. It is advisable to ask others who may be invited to the same event whether it will be appropriate to be late. As a general rule, if someone is waiting for you in particular, you must not be late. On the other hand, if you are faceless part of a large crowd, it is fine to be late. Clothing in almost all business situations is conservative though it is not formal. Women, in particular, are advised to avoid dresses that expose legs or other such body parts.

 

 

FILMING INDO

Helps you with Strategic Advice at all stages of business life-cycle

Adviser, Intermediary and Facilitator for Business Relationships

Design of Structures for Cross-border Business Entities

Documentation related to all types of associations & collaborations

Research to help understand Indian laws, rules and regulations

Research based opinion on complex legal issues

Assistance with Dispute Resolution

Hand-holding through setting up and operating a business in India.

 

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The Magical World of World Cinema: Australian Cinema’s ‘India connection’, many films earned worldwide name

Summary

More recently, Indian-origin writer-director Anita Brar, who has been living in Australia since 1989, has made a documentary called ‘Crossing the Line’, which is being screened at various film festivals around the world. In this, the interviews of the victims of Partition of India have been recorded.

 

History of Australian Film Industry

A film director comes to India, he watches a Hindi film of Bollywood and is shocked. He goes to his home country and makes a film inspired by the dance and songs of the Indian film and wins an Oscar for this film. The name of the film is ‘Moulin Rouge’ and the director is Baz Luhrmann. Baz Luhrmann comes from Australia. Today we are talking about the cinema history of Australia.

 

The film began to be shown in Australia at the very beginning of cinema. In the last decade of the nineteenth century, films were being shown there with the help of the Edison Kinetoscope. In 1894, James McMahon opened the first Kinetoscope parlor in Sydney. It was created by converting a shop. Customers could watch the film on the machine for a shilling. Only one person was allowed to watch movies at a time. But the enthusiasm of the audience was worth watching.

 

According to a source 22,000 people watched the film in the first five weeks, another source said it attracted 25,000 people in the first month. After Sydney, Kinetoscope roamed Australia for a year and showed the film to the public. When he returned to Sydney in 1896, he did not have any new films, and in the meantime the film was being shown on projectors, so the market for the kinetoscope collapsed.

 

It is believed that on 22 August 1896, the magician Carl Hertz did a film project in Australia for money. He did this at the Harry Records Melbourne Opera House. Today this place is known as Tivoli Theater. That day the film was shown under a variety show.

 

The first feature film in Australia, The Story of the Kelly Gang, was made in 1906. In 1913, the government there appointed Burt Ivy to capture Australia’s life, landscape, industry, etc. on camera. In 1954, the film division there made a feature length film called ‘The Queen in Australia’ which was the first color film produced by the fund there. The Women’s Film Unit was established in Australia in 1984. Under this, Jane Campion created ‘After Hours’ in the same year.

 

‘The Melbourne Cup’ and ‘Queen Victoria’s Jubilee’ were the first short films made in Australia for exhibition. From 1898, the Limelight Department of the Salvation Army (a Christian religious organization) also started making short films. These films, equipped with songs, instrument singles and discourses, were shown to the public for their religious propaganda and were used for religious propaganda. Along with this, donations were raised by them, which were helpful in the social work of the Salvation Army.

Australian film industry

By 1900, the film industry had already been established in Australia. At that time Australia was a part of the British Empire. Most producers in Europe set up production facilities in Australia. Movies soon became a part of Australian life, a necessity and a necessity for low-cost entertainment. Today Australian cinema is known for its representation of race, tribal status, sexuality, diaspora.

 

More recently, Indian-origin writer-director Anita Brar, who has been living in Australia since 1989, has made a documentary called ‘Crossing the Line’, which is being screened at various film festivals around the world. In this the interviews of the victims of Partition of India have been recorded. These are senior citizens of India, Pakistan, Bangladesh living in Australia, who ran for their lives at the time of partition and survived.

 

A well-known film ‘Crocodile Dundee’ was made in Australia in 1986. In this 97-minute adventure-comedy film, an American reporter travels to Australia to visit an eccentric crocodile hunter and then invites him to New York. Directed by Peter Feiman, the film starred Paul Hogan, Linda Kozlowski, etc., but made a splash in the Australian film world with the 1993 film The Piano, directed by Jane Campion. This 121-minute film is analyzed and studied in institutions around the world.

 

The film, starring Holly Hunter, Harvey Keitel, Sam Neill and Anna Paquin, gave feminism a point of discussion. It won three Oscar awards.

 

There has been a lot of experimentation in films in Australia, especially with regard to style and technique. Above we have come to see the talk of ‘Moulin Rouge’. Another experiment was done in 2006 by George Miller. He made the computer-animated jukebox musical comedy film Happy Feet. The Emperor Penguin finds his companion singing. But a penguin is born in this world, which cannot sing, but has a special feature that it can tap dance with pleasure. Don’t confuse it with the ‘March of the Penguins’ made in 2005. Both are very different films.

 

Amitabh Bachchan, best known for his voice as the narrator in the Indian version of ‘March of the Penguins’, has given vocals. But we are talking about the film ‘Happy Feet’ made in Australia. Nicole Kidman has also lent her voice to it along with many others.

 

Before this, in 2002, a film was made in Australia, seeing which the audience is forced to contemplate. The film is a biopic of less than an hour duration. The film is based on the subject of Australia of 1931 and the inhuman law applicable there. Where in the name of goodness the Lord keeps the tribal children of this country away from their families and works to make them slaves / servants in the name of education. Children or rather these girls are not completely tribal, they have mixed white blood, but since their white father does not take responsibility for them, they live with their mother, so they are still attached to their civilization-culture .

 

In this film by director Philip Noyes, the administration does the work of destroying this civilization-culture and childhood in a planned manner. In this, non-professional people have acted and acted amazingly.

 

After the end of the film, facts and figures related to this lost generation emerge on the screen. If you haven’t seen it yet, then definitely watch the movie ‘Rabbit-Proof Fence’. ‘Chopper’, ‘Shine’, ‘Lion’, ‘I’m a Mother’, ‘Red Dog’, ‘Careful, He Might Here You’ are some other notable films from Australia that should be watched. The film making process continues in Australia.

 

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Media Production Fixer Support in India| Filming Indo

If you are in search of JournalistresearcherIndian coordinatorfixerdocumentary film maker or Line Producer to cover any specific stories in India, your search ends here. We at Filming Indo delivers all types of services to our International clients as mentioned above. We promise you to arrange everything on your behalf from interview scheduling, Public Relations to Locations management and logistics. You can leave everything on us. You have to just come to India and shoot your project. Even, if you can not come to India, we can shoot and deliver raw audio-visual footage recorded on best HD cameras to you in timely manner. 

You can email us today on info@filmingindo.com

 

Film & Video Production Services in Thiruvananathapuram, Kerala India

About Kerala

Kerala (State of India) is the most famous state of South India. It is the birthplace of Adiguru Shankaracharya. The name of this state of South India was Travancore before independence.

 

But after independence, on 1 July 1949, the name of Travancore was changed to Kerala. The natural beauty of Kerala, situated on the banks of the Araval Sea, is amazing.

 

Here too, like Assam and Darjeeling, the tea gardens spread far and wide make the mind happy. This state, surrounded by mountains, valleys, beaches, hill stations and lush green plains, attracts tourists a lot.

 

Beautiful mountains, dense forests, deep rivers, and rare wildlife make this state a different identity. Kerala is counted among the advanced states of India.

 

Kerala, situated on the sea coast for the agama water, is famous for the trade of spices since ancient times. This state is counted in the literate state. Kerala is the first state in India to have a literacy rate close to 100%.

 

Kerala is also blessed with a variety of flora and fauna in nature. In this article the history, language, festivals, costumes, culture etc. of Kerala are described in detail.

 

Alappuzha aka Alleppey – Baaghi (2016), Munnar – Chennai Express (2013), Thekkady, Idukki – Dil Se (1998), AthirapallyWaterfalls – Guru (2007) and a lot more. All these movies have done really great job on box office.

Places for shooting in Kerala

fixer line producer kerala india filming indo 2

There are a lot of famous monuments located in Kerala which are really great for film shooting. Some of them are Alleppey, Kochi, Thekkady, Munnar, Thrissur, Kovalam, Thiruvananthapuram, Kozhikode and Kannur.

 

Kerala is a home to clear backwaters. It is said that the true beauty of this state lies in its islands.

 

 

 

So, take a look at the following list of islands in Kerala and get mesmerized by its beauty.

  1. Poovar Island
  2. Pathiramanal Island
  3. Dharmadam Island
  4. Willingdon Island
  5. Munroe Island
  6. Kuruvadweep Island
  7. Vypin Island
  8. Kavvayi Island
  9. Bolgatty Island
  10. Vini’s Farm

What can Filming Indo do for you?

Filming Indo can help you with all the assistance for line production and remote production. We are here to help you from getting all the permissions to providing you with all the equipment required for the documentary or the film. Our team can help you with all the research work and script assistance.

Filming Indo Production Services in Thiruvananathapuram, Kerala India

  1. Filming in Kerala : Filming in Thiruvananathapuram, Kerala India.
  2. Filming permission in Kerala : We obtain filming permission in Thiruvananathapuram, Kerala India.
  3. Filming permit in Kerala: We obtain filming permit in Thiruvananathapuram, Kerala India.
  4. Film and Journalist Visa assistance in Kerala: We provide visa assistance in Thiruvananathapuram, Kerala India.
  5. For film – Step by Step Guide | Film Facilitation Office
  6. For documentary – MEA | Media Center | Documentary Filming in India
  7. Fixer in Kerala : We work as a fixer in Thiruvananathapuram, Kerala India.
  8. Line producer in Kerala : We work as a line producer in Thiruvananathapuram, Kerala India.
  9. Location scouting in Kerala : We arrange location scouting in Thiruvananathapuram, Kerala India.
  10. Aerial filming in Kerala : We do aerial filming in Thiruvananathapuram, Kerala India.
  11. Casting in Kerala : We do casting in Thiruvananathapuram, Kerala India.
  12. Shooting equipment in Kerala : We provide shooting equipment in Thiruvananathapuram, Kerala India.
  13. Camera rental in Kerala : We do camera rental in Thiruvananathapuram, Kerala India.
  14. Grip rental in Kerala : We do grip rental in Thiruvananathapuram, Kerala India.
  15. Light rental in Kerala : We do light rental in Thiruvananathapuram, Kerala India.
  16. Shooting locations in Kerala : We provide shooting locations in Thiruvananathapuram, Kerala India.
  17. Shooting permission in Kerala : We provide shooting permission in Thiruvananathapuram, Kerala India.
  18. Translator & Interpreter in Kerala : We provide translator in Thiruvananathapuram, Kerala India.
  19. Underwater filming in Kerala : We do underwater filming in Thiruvananathapuram, Kerala India.
  20. Remote Production in Kerala : We shoot the video in a seamless and secure way through offering our expertise to you for remote production in Thiruvananathapuram, Kerala India.

 

For any inquiries, please contact us at info@filmingindo.com.